1905 movie network news August 18th was Xuanxuan’s birthday, and his friend Ouyang Zhenhua posted a post in the early morning to celebrate her birthday "Happy birthday Jessica", accompanied by a group photo of the couple at the end of July to watch the stage play "Resignation Day" starring Xuanxuan. In the photo, Xuanxuan stood in position C, "Hugging left and right" Ouyang Zhenhua and his wife, the three smiled very happily.

Xuanxuan and Ouyang Zhenhua are old partners for many years. They have collaborated in many classic Hong Kong dramas such as "No. 1 Imperial Court", "Delicious King", "Wrongful Records", "Casino Situation" and "Shi Gongqi Case".

accelerate brake fuel consumption second rice liter Rejuvenating overnight, testing the Buick Envision S two-wheel drive Review Editor – Li Qiaochen:

After the appearance of the Buick Envision S is completely younger, the whole car naturally becomes more lively. Compared with the current Envision, it is impossible to see any inheritance between the two. The interior’s driver-led style also shows that the designer of Buick is trying to create a mid-sized SUV model that is no longer old-fashioned. The dynamic performance is very surprising, and the chassis adjustment is somewhat sporty. The power reserve is sufficient, and the power output can always be more in your driving rhythm.

Review Editor -:

Buick has been getting younger in recent years, and this Envision S is no exception. A mid-size SUV can be so low that it even has the illusion of a station wagon, which is a change from the Envision’s mature and stable image. Although it is mainly a two-wheel drive model, the driving experience in the city has little impact. The brisk and even slightly sensitive throttle and solid chassis are sure to make drivers fall in love with this SUV.

Review Editor – Hong Bingqing:

From the exterior design, it can be seen that this is an "unconventional" SUV, and it is a farewell to everyone’s inherent Buick. The exterior decoration of this sports version is spot on, but it is not out of line. The interior is also not stuck to the old rules, playing a driver-centric design, which can be described as very bold. Since it is mainly a two-wheel drive model, the more sporty driving style of the Envision S becomes reasonable. It is a mid-size SUV, but it will not be boring to drive in the city.

1905 movie network feature We sat in the interview room waiting for Li Shaohong, her last interview of the day. After the interview with the previous media, she temporarily left to take some pictures in the hallway of the hotel.

During this short period of time, the staff looked at the interview outline and exclaimed with emotion:"Why are the questions of each family similar, all of them are asking, why didn’t you make a movie for more than ten years, why did you choose Bai Baihe, and why did you choose this novel?"

　

"Okay, then let’s not ask these questions, let’s talk about something else." We said.

　

But what should we talk about without asking these questions?

　

After all, the name Li Shaohong is so close and so far away to the film media. She is always seen in various activities of the Directors Association; every few years, she will start a new TV series; or behind some star names, she actually has her.

After 12 years, he directed a movie again

But she is farther from the media than her classmates Zhang Yimou, Chen Kaige and Tian Zhuangzhuang. It seems that the three words "do not explain" have become a word etched in the hearts of the most famous graduates of the film school.

　

We also want to know why the most famous female director of the fifth generation, when she remade her film 12 years later, focused on casinos and gambling.

　

1

Yes, Li Shaohong has not made a movie for 12 years. Compared with her movie works, those TV dramas that have won stars are more recognized in the hearts of audiences.

　

Her TV series are far from this era – with "Orange is Red" a story of the Republic of China; "Daming Palace Ci" is about Wu Zetian; "Dream of Red Mansions" is based on classical novels.

　

But the movie is different. From her debut, she has turned her attention to the contemporary. Later, this set of eyes focused on women.

She was not satisfied with Murder of the Silver Snake.

Back then, the film academy taught French author films, and they spurned Hollywood very much. As a result, after arriving at the Beijing Film Factory, Li Shaohong caught up with the commercial film trend in 1987, and his debut novel was completely different from that of his classmates.

　

"The factory asked me to make such a film, and I even cried my nose. I felt like I was so miserable. Zhang Yimou and Chen Kaige were all filmed. How could my life be so bad, and I even sold such a commercial film. A broken snake! I felt really frustrated at the time."

　

Class leader Tian Zhuangzhuang advised her: "You can shoot, at least you can get a chance to prove that you can do it, and you can shoot what you want when you get approval."

Li Shaohong’s debut novel "Murder of the Silver Snake"

The last "Broken Snake", in an era when a movie sold less than 100 copies, sold more than 200 copies at once, becoming the highest-grossing movie of the year.

　

Li Shaohong also got the opportunity to make the movie he wanted to make.

Adapted from the novel "A Pre-publicized Murder" by Marquez. It tells the story of the mountain village girl Shouzhen. I thought that from this movie Li Shaohong as the director, the creative consciousness had sprouted.

"Scarlet Morning"

But she herself felt that it was the beginning of her consciousness.

　

This is because Li Shaohong thinks that the identity of a female director is not new. As a soldier at the age of 14, Li Shaohong said that he forgot all the things of girls. "Beauty, color, I don’t pay attention to these." This is especially true when filming, and everywhere you go is a black vest. A pair of pants is worn out, and Li Shaohong’s habit is to keep it for filming.

Back then, there were more than 20 female directors at the Beijing Film Factory. Li Shaohong went abroad to participate in the film festival, and one of the most annoying questions was how many female directors there were in China. In her opinion, the professional men and women are the same, and it is not because they are women that they can work less and get high marks.

　

But then she found that what was missing was a conscious awareness, a failure to realize that gender issues were a problem. Compared with male directors, women’s way of looking at society, storytelling methods, and experience of human nature may be completely different.

　

Looking back at the films before "Pink", Li Shaohong felt that she relied on the impulse of art. "Just like a person’s first love, it is completely the effect of impulse hormones." But when she made "Pink", she realized how important female consciousness is to her creation. Instead of rejecting it, it is better to consciously use it as an advantage to express it consciously.

When Li Shaohong made "Red Pink", he began to have a female consciousness about creation

This idea arose after the crew arrived in Suzhou. Less than 10 days before filming began, Li Shaohong suddenly felt that the script that had been changed seven or eight times was not the same as when she first read the novel. She decided to write the script again. Before the entire film crew arrived in Suzhou, they were locked in the room alone and changed it again without eating or sleeping.

　

She remembered what touched her when she first read the novel: The story of "Pink" is not about the transformation of prostitutes after 1949, but the different choices of two women in that era in the great changes of the times. Their occupations are the same, but their fates are completely changed by their personalities.

Screenshot of the movie "Pink"

Li Shaohong changed the script back to its original intention. She suddenly felt enlightened: "I suddenly realized that the most important thing I should keep is what I saw in the first place. It is the most important thing that I should write these two characters with that feminine feeling. So I think it is thanks to the enlightenment before."

　

Her next few films: almost all of them are looking at contemporary women. Using these films as road signs, it seems inevitable that Li Shaohong will stop at this stop.

2　

At the premiere of "Ma Pavilion is a City," Li Shaohong said that Yan Geling’s novels are so popular that every time there is a story he wants to shoot, he finds that it has been snatched away by male directors. Opportunities for cooperation have never been found.

Li Shaohong had been waiting for this opportunity for many years. While filming "A Dream of Red Mansions", Yan Geling and Yang Lan came to visit the class with two bags of books. Li Shaohong was very touched and said to Yan Geling, "I thought one of them was new."

　

The great writer said that they were all published in the past.

　

Li Shaohong said: "Then I have basically read all these books of yours, and some people have photographed them. So I especially want to have a subject that no one has photographed. Do you think there is one that is the most suitable for our cooperation?"

At this time, Yan Geling told Li Shaohong that she had another novel she was writing. Half a year later, Li Shaohong became the first reader of the novel called "Mom Pavilion is a City".

　

"When I read the novel, I felt as if I had been waiting for such a story for so many years. Although casino life is far away from me and I am blind to gambling, I think the core of the story is about’gambling ‘. Gambling doesn’t just happen on the gambling table, life is a gamble. You can bet on the future, destiny, or emotions."

　

When he saw the novel, Mr. Li said, he felt as if he had been waiting for a story like this for 10 years. "I really want to make more movies. Movies are still the passion of my life. Movies need to have a good story, a good subject matter. It’s not easy to wait."

But we are really curious, Li Shaohong, who is used to filming female emotions, will shoot a gambling story in a casino when she enters her 60s?

　

If gambling is used as a metaphor, then every film of the director can be equated with this metaphor in his creative career. Li Shaohong said that every time he makes a movie, he puts his whole heart into it and fights it.

　

"Because you have to go back to zero every time, you have to start every time, and then every time you have to encounter something challenging, you have to face it, because you are a person who has to change from imagination to reality, so you will have to pay a lot of price to build your kingdom, your imagined world. So I think it has a certain characteristic of taking a gamble with yourself."

"Murder of the Silver Snake" bet on creative autonomy; "Pink" bet on the Berlin Silver Bear; "Ci Daming Palace" and "Orange Red" bet on higher national awareness.

　

Why are you tempted when you are in middle age and give it a try again?

　

Probably when Li Shaohong is put back into the director’s coordinate system for review, he will still be standing in the fifth generation team full of scrutiny of the times. What surfaced in "Ma Ge is a City" was an emotional story; undercurrents surged, about 40 years ago, the changes of a country and economic system.

　

3

The script had been written for two years. As the original author, Yan Geling participated in the adaptation of the script and kept her best character feelings in the adaptation.

Original author Yan Geling (middle)

The screenwriter of "Women’s Forty", Chen Wenqiang, helped Li Shaohong grasp the cultural atmosphere of Hong Kong and Macao, rather than making "Ma Ge is a City" a mainland-style Hong Kong and Macao film.

　

Li Shaohong invited reeds again.

The first time they talked, they were rejected. Reed said, "How can I write about this woman?" When they met again, Reed decided to participate when he heard the whole story. He felt that "Mom Pavilion is a City" was the coolest one in all of Yan Geling’s novels.

　

Reed helped Li Shaohong broaden the context of the film era. He focused his energy on Wu Gang’s role of Kevin Duan, explaining why there are so many such people in this city, and what kind of experience can make Kevin Duan become such a person. Give the film a very solid foundation for the changes of the old era.

　

The movie is from 1999 to 2014. The characters follow the course of the times to start a business and work hard. Li Shaohong projects a certain era in the three men who surround the heroine Mei Xiaoou. Lu Jintong is a person who got rich early, but can’t control his destiny; Duan Kevin is the process of the last glory and decline of a generation of entrepreneurs; Shi Qilan is a person who follows the ups and downs of the times.

Mei Xiaoou was one of the reasons she wanted to make the film. After reading the novel, the girl’s face was blurred in Li Shaohong’s mind, but she began to imagine what this girl with characteristics should look like.

　

Li Shaohong thought of Bai Baihe, a very dramatic face that can make people with stories. Li Shaohong said that Bai Baihe has a lot of personality and a sense of independent existence. These are the conditions she thinks a good actor must have: "I will think she is an actor to work with. And I think she will create a different character."

From receiving the script to setting the role, Li Shaohong observed Bai Baihe for one year. During that year, she first watched all of Bai Baihe’s films, and then went to visit Bai Baihe’s classes. During this year, Bai Baihe appeared in two or three plays, and Li Shaohong went to visit classes in each play. Not to chat, nor to talk about character relationships, but to let her know Bai Baihe and let Bai Baihe know her. "Understanding each other is as important as knowing the character she is going to play."

　

A movie with a length of 2 hours and as many as 147 scenes will collapse if the heroine in each scene is not selected properly.

　

The emotional experience you have is not the first love, but the emotion between mature men and women, which requires experience to achieve. In Li Shaohong’s opinion, Bai Baihe is a particularly suitable candidate.

　

In addition, Li Shaohong felt that Bai Baihe "has reached a time when he can cross a hurdle in his acting skills, and such an opportunity is rare."

　

4

Few directors would consider the choice of actors from this perspective, but Li Shaohong would. One of the reasons should be that she and her partner Li Xiaowan can be said to be the first generation of actors.

　

Li Shaohong treated actors with family-like care and attention. He dug out Zhou Xun and told her about Vivien Li. He felt that Zhou Xun was like her and would definitely follow her path. But he was worried that after Zhou Xun entered the character, he would not be able to get out.

Zhou Xun starred in "Daming Palace Ci" directed by Li Shaohong

Shooting "Daming Palace Ci", Li Shaohong helped Zhou Xun liberate his nature; in "Orange Red", he consciously turned her from a girl to a girl, from Huadan to Tsing Yi.

　

Hoping that Zhou Xun could express her soul’s feelings, Li Shaohong filmed "Baby in Love". As a result, Zhou Xun was unable to extricate himself, which affected her mood for a year. Li Shaohong helped her take it and changed the environment for a while.

Zhou Xun once again starred in Li Shaohong’s "Baby in Love"

Chen Kun, who signed with Li Shaohong, also hopes to cross a threshold.

In Li Shaohong’s opinion, stepping over might help him open up a larger field of performance. And this threshold is the type of idol that Chen Kun has deeply rooted in the hearts of the people. Li Shaohong shot and let Chen Kun play the villain, the idea is to let the audience feel the potential of his various performances.

Chen Kun makes a bold breakthrough in "The Door"

When filming "The Door," Chen Kun said that Li Shaohong was correcting some of his habitual performances. For some dissatisfaction, Li Shaohong would directly say: "Fake, Chen Kun, don’t come." In addition to asking for real feelings at the beginning, but also to move up. After filming "The Door," Chen Kun put it down. Li Shaohong said that after Chen Kun opened the door, he became more comfortable and began to be able to control various characters.

　

From directing, to founding companies, and signing artists, Li Shaohong has personally experienced every development intersection of film since the reform and opening up.

　

In 1987, she became an outlier among the fifth generation of directors, with her debut film, Murder of the Silver Snake, which sold 200 copies.

　

After filming the film, she suddenly found that it was no longer the studio that sold copies, but she had become the one who carried the film one province at a time. The final box office reached 20 million, and the distribution model set more than 20 years ago has not changed greatly.

The movie "Pink."

In the same year, with the reform of the film industry mechanism, Li Shaohong and Li Xiaowan established Rongxinda Film and Television. When Zhou Xun was signed, the agency contract was the first for an actor in the country. Unsure how to sign and write the contract, Li Shaohong and Li Xiaowan puzzled for a month or two.

　

Looking back at every step he took, Li Shaohong sighed: "Anyway, I thought I was very unlucky at first, as if there was a hurdle when something came to me. In fact, history is like this, and now that I think about it, I actually feel very lucky."

　

Beginning in 2011, Li Shaohong became the president of the China Film Directors Association and was re-elected for another term in 2015. In her hands, the recognition selection of the China Film Directors Association has become annual, with a preliminary jury and a final jury. Sixth-generation directors and her old classmates and seniors have served as chairpeople of the two jury committees each year.

Li Shaohong serves as the president of the China Film Directors Association

The position of president of the China Film Directors Association has given Li Shaohong a more official role as a director and company manager. She said that she is not a social type, she is not good at words, and everything she wants to say is in her movies. But at a director’s association event later, Chen Kaige told her that I didn’t find you in school with such strong organizational skills.

　

Li Shaohong replied to her old classmate: "Director, I think of every event as a movie, and it seems that I am bold."

　

In 2015, the Directors Association started the "Green Onion Project" again, hoping to support young directors. This year, director Li Shaohong has not made a movie for 8 years. The Green Onion Project has released many films by young directors this year. When seeing these newcomers, I wonder if Li Shaohong will be worried about the decline of his creativity?

Li Shaohong helps with the "Green Onion Project"

Li Shaohong did not answer the question directly. She said that for a long time, she went to stand for others and cheer for others. She did not stand on the stage, but in the audience.

　

"You know what?" she asked us. "It’s an opportunity for you, as an observer, to see other people’s films, and you’ll benefit a lot. If you don’t train young directors, you won’t know what they’re thinking, what their state is like. So I’m actually grateful for these experiences. It didn’t actually pull us apart, it brought us closer."

She used riding a bicycle as a metaphor. She had been riding a bicycle since she was a child, and she might not have ridden it for 10 or 20 years. However, once the bicycle was in her hands, she might still ride it once she got up.

　

"Movies are still an instinct of mine," Li Shaohong said.

1905 movie network news　A few days ago, the film was officially scheduled for December 16th and will be released simultaneously with North America. The film was created by the director after 13 years of hard work. On December 8th, the film released the dubbing lineup, inviting He and his wife to join forces for the first time as the soul of the film, Jack Sally and Neytiri, to lead the audience back to Pandora and start a new adventure. The powerful actors who have won many awards and nominations will dub the new leader of the island people, Tenowari, to play the role of the strong and brave Neville leader. More importantly, the female leader of the island people played in the film, Ronal, will be played by an internationally renowned Chinese actor as the Chinese voice actor.

The posters released at the same time match the four movie stars with their "voice" characters one by one. On one side is the "Avatar: The Way of Water" character poster, and on the other side is the photo blockbuster of four Chinese voice actors. Challenging the new limits of film art and creating an immersive feast of light and shadow, the ultra-luxurious voice cast makes fans look forward to the film’s release even more.

Jack Sally and Neytiri, the soul characters of the series that have touched the heartstrings of countless audiences in the past 13 years, are specially invited to offer the voice dubbing of Deng Chao and Sun Li, who are also highly regarded in the Chinese film and television industry. As powerful actors who have collected major awards in the Chinese film and television industry and have great reputation and other influences, Deng Chao and Sun Li are also famous model couples in the circle. This time, the film side invited the two to join the dubbing. In addition to professional ability, they also want to use the screen images of the two in real life to better appreciate the sequel and resonate with the characters.

As the soul characters of the "Avatar" series, Jack and Neytiri have formed a family and become parents in the sequel. They will once again take on the heavy responsibility of saving the planet Pandora, and the bond between the tribe and the love for their family is the source of their strong will and courage. And such a character setting is undoubtedly highly compatible with the identities of Deng Chao and Sun Li. From voice expression, professional image, to real life perfect match, Deng Chao Sun Li will bring his own feelings about life, children and family to interpret the sequel of Jack and Neytiri.

In addition to past roles, this sequel will also include a new character, Tenowari, the leader of the island reef clan, whose voice is played by young actor Huang Xuan, which is surprising. With past excellent works such as "Mountain and Sea Love", Huang Xuan stands out. He has been nominated for the male lead in the Magnolia, Feitian and Golden Eagle TV Drama Awards at the same time. He has become a leader among the new generation of actors. He is a rare force and acting style among young actors. Every time he acts, Huang Xuan will devote himself wholeheartedly. Not only is his voice full of magnetism and his lines cadence, but his rich emotions are also very infectious.

This time, Huang Xuan will be the voice of Tenowari, the leader of the island reef tribe. Tenowari is fair but generous, reaching out to the Jack family when they are in danger and allowing them to take refuge in their tribe. As a leader, he is full of majesty, as a soldier, he is determined and brave, which also fits well with many of the roles played by Huang Xuan before. Whether it is from the details of the dubbing or the expression of emotion, this time Huang Xuan will use the charm of the voice to bring you a unique interpretation and explore the mysterious new sea.

"Card God" took 13 years to continue writing the legend, and a stunning new character was introduced. Ronal is not only the wife of Tenowari, the leader of the reef clan, but also the brave and fearless mother. She is also the spiritual leader and high priest of the reef clan. This time, Cameron director invited Oscar winner Kate Winslet to play the role, and Ronal’s Chinese voice is invited to Zhang Ziyi, who is famous in the international film industry for his masterpieces.

As the spiritual leader of the Islanders, Lorna is authoritative and powerful, and she has shown the most heroic and fearless posture. This role is highly compatible with the identities of Hollywood actress Kate Winslet and Chinese actress Zhang Ziyi. With her outstanding film works known at home and abroad, Zhang Ziyi is not only a Grand Slam winner of Chinese film awards, but also starred in many works that have won Oscars and multiple international film festivals. She has also been nominated for the Golden Globe Award in American Film and the British Film Academy Award for Best Actress. She is a Chinese actress who is well-known in the international film industry. This time, she "vocally" portrays the tough, fearless, tough and flexible Lorna, leading the audience into a new realm of legend.

The material in this article comes from the Internet. If it does not match the actual situation or there is infringement, please contact to delete it.

Since the media released the interactive video of Yang Zi and Liu Xueyi, Yang Zi was pushed into a rather embarrassing situation, and in the days that followed, she has been constantly exposed to "black history" and constantly made embarrassing things.

Especially after the "Hu Spicy Soup Incident" became a hot topic again, Zhang Xueying’s fans posted a series of clarification posts, which directly reversed the situation of the whole incident, and also caused Yang Zi’s image to be greatly negatively affected. Some netizens even began to jokingly call her a "liar" and questioned her character.

Now, let’s test everyone’s understanding of the "Hu Spicy Soup Incident".

First of all, have you heard that Zhang Xueying and Qin Junjie used the same spoon?

Secondly, have you ever seen reports that Zhang Xueying asked Qin Junjie to help her wipe her feet, and that the two were intimate outside the play?

Finally, do you have any memories of "Yang Zi helped Zhang Xueying clarify it at the first time, and then Zhang Xueying turned around and liked the ambiguous video of himself and Qin Junjie"?

If you answered "yes" to all three of these questions, then what follows may confuse you, and you may begin to wonder if your memory has been tampered with.

In fact, for the first time in the past four years, many people have seen screenshots of Zhang Xueying and Qin Junjie drinking Hu spicy soup together. It turned out that they did not use the same spoon together, but only took a sip and were called away by the director to continue filming. Later, when the two returned to the table again, Zhang Xueying couldn’t find her own spoon, so she picked up the bowl and took a sip. Therefore, Zhang Xueying and Qin Junjie did not use the same spoon together. You and I shared a bowl of Hu spicy soup one by one.

In response to the rumor that Zhang Xueying asked Qin Junjie to wipe his feet and the two were intimate outside the play, Zhang Xueying’s fans also provided relevant screenshots to clarify. First of all, there is no plot of wiping feet at all. In fact, Zhang Xueying needs to be barefoot in the play, and the shoes are always in Qin Junjie’s hands. Secondly, the so-called intimacy is actually in the filming work, which is a professional demand, not a private intimacy.

If the boundary between them is blurred, it is true, but it is too harsh to accuse Zhang Xueying of interfering in the relationship between Yang Zi and Qin Junjie.

Some people may ask, since Yang Zi also helped Zhang Xueying clarify the incident, why has it become the target of public criticism now?

This question is very simple, because netizens found that in the "Hu Spicy Soup Incident", Yang Zi has actually been the leader. Looking back at the events, the following key points can be found:

In November 2017, Yang Zi mentioned in a variety show that he dreamed of Qin Junjie developing a relationship with the same group of actresses, and emphasized the plot of the wedding scene, and Qin Junjie’s only wedding scene was with Zhang Xueying. This can be seen as Yang Zi’s first active intervention.

In May 2018, when the collaboration between Qin Junjie and Zhang Xueying began to air, Yang Zi intervened again in her reply to netizens and announced late at night that she would not break up. This is her second initiative. It is worth mentioning that similar behavior has led to widespread condemnation of actor Dou Xiao’s girlfriend, He Chaolian.

In July and August 2018, Yang Zi deleted her Weibo twice, which was her third initiative. At this time, rumors about Qin Junjie’s suspected affair with Zhang Xueying also began to spread.

On August 12, 2018, the Hu Spicy Soup incident became a hot topic. Zhang Xueying issued a clarification statement for the first time, and Yang Zi and Qin Junjie also officially announced their breakup.

However, after reviewing the "Hu Spicy Soup Incident" recently, netizens suddenly discovered a key turning point: Yang Zi did not reply to Zhang Xueying’s studio to clarify immediately, but waited for a full 9 hours, almost just when public opinion was about to subside. It is worth noting that during this time, her account was launched a full 57 times.

In the Internet age, there is a saying that is widely circulated: "It is easy to spread rumors, but difficult to refute them." Nine hours is enough for rumors to spread for several laps, and multiple versions are derived, such as "Yang Zi helped Zhang Xueying clarify it at the first time, and then Zhang Xueying turned his head and praised it."

This version of the ambiguous video "between himself and Qin Junjie has lasted for a full four years, and it was only recently that the truth was revealed.

In fact, Yang Zi did not clarify the incident immediately, and what Zhang Xueying liked was not the ambiguous video of herself and Qin Junjie, but the clarification statement about her affair with Qin Junjie.

After the Hu Spicy Soup incident was reversed, Zhang Xueying won the support and sympathy of many netizens, but unfortunately, although the nail was pulled out, the traces left behind would not disappear easily. Now, the only way out is to wish her to work hard to improve her acting skills, to shoot high-level works in the future, and to prove herself with strength.

As for Yang Zi, netizens continue to dig into her history of "misses" and likes over the years, as well as her lack of sense of boundaries with her fellow actors. We don’t know how much these events will affect her personal image.

Finally, I would like to remind all celebrities to keep in mind the principle of "cautious words and deeds" and be a kind person. Nowadays, netizens have very strong investigative skills. If there is a problem, they can easily strip your private life without leaving any privacy fig leaf.

To sum up, this incident tells us that in the entertainment industry, image maintenance is of paramount importance, and careless behavior can cause serious damage to a star’s career. I hope Yang Zi can not become the next "Zhang Xueying", and remind all stars to be careful with their words and deeds, so as not to become the "next target of bombardment" in the words of netizens. Finally, it is emphasized again that unauthorized reprinting is strictly prohibited, otherwise legal responsibility will be pursued.

The above content and information are all sourced from the Internet. The author of this article does not intend to target or allude to any real country, political system, organization, race, or individual. Relevant data, theoretical research is based on online data. The above content does not mean that the author agrees with the laws, rules, opinions, and behaviors in the article and is responsible for the authenticity of the relevant materials. The author of this article is not responsible for any of the above or related issues, nor does he assume any direct or indirect legal responsibility.

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In Lei Jun’s speech in 2023, Xiaomi officially announced that its artificial intelligence product "Xiao Ai Classmate" will be upgraded to a generative large model. Xiaomi’s official demo video shows many functions of the upgraded Xiao Ai Classmate.

According to the official demonstration, the new version of Xiao Ai will support the intelligent Q & A function, capable of creating copywriting and even generating picture content according to the user’s text requirements. At the meeting…

　　As a classic "green leaf" in the Hong Kong film industry, Wu Mengda relies on countless supporting roles to still maintain his status as the king of funny. However, in recent years, he has frequently absent from Chow Xingchi’s new films, and the two have frequently been at odds, making future cooperation rather slim. In this regard, Wu Mengda, who came to Changsha to promote "Love Art of War" on October 21, said bluntly that the two do have a knot, but they will definitely cooperate in the future.

　　When he went bankrupt, he was refused to borrow money from Chow Yun Fat

　　In 1971, the confident and attractive Wu Mengda was easily admitted to the TVB artist training class at the age of 20, and became classmates with Zhou Yun-fa and Zhou Xingchi. With his own cleverness and the rapid development of the film market at that time, Wu Mengda ran for a year, and then took on the role of Hu Tiehua in "The Legend of Chu Liuxiang", which made his career reach the peak. He said with a smile that he had an income of 1,500 US dollars once he took the stage, and he lived on a high income of one performance a day for a year. "Many people around me praised me to the sky, and I also swelled very much, just like Jay Chou now. I am also completely lost. I drink, play cards every day, and have women. I don’t have the heart to work, so I look forward to finishing work early." Wu Mengda admitted that with the increasing erosion of life, until 1980 not only owed 300,000 yuan gambling debt, but also faced no drama.

　　It is well known that Wu Mengda once went bankrupt, and the two broke up for a time because he refused to borrow money from his friend Zhou Yun-fa. "The first thing I thought of at that time was my best friend Zhou Yun-fa. I didn’t expect him to say to me: You solve it yourself! I hated him so much at the time, I couldn’t understand that sentence, what was 300,000 to him? I thought about it at home for three days. I remembered a reservoir I went to play in when I was a child, and everything was solved by jumping down. I wanted to commit suicide." Wu Mengda recalled with tears that not only Zhou Yun-fa, but all his friends around him and his junior brother Du Qifeng also thought: "I am a piece of mud, look down on me."

　　He didn’t act in "Kung Fu" and was accused of not being loyal enough

　　Determined where to fall and where to get up, Wu Mengda did not sink due to bankruptcy. Instead, he gained trust again through step-by-step reflection during the four-year slump. In 1988, he started his first collaboration with Stephen Chow ("He Comes from Jianghu"), and since then the "Stephen Chow + Wu Mengda" model has become a symbol of nonsense style. "He was a person with a lot of ideas back then, but the director didn’t believe him, so his ideas were often proposed by me." Although they were once close to each other, Wu Mengda admitted that there was a crack when they arrived at "Kung Fu". "At that time, I had SARS, and I couldn’t make’Kung Fu ‘on my schedule. He felt that I was not enough friends and loyalty, and the two of them were not happy with each other. If I act, I think the charter is mine."

　　Regarding the relationship between the two, Wu Mengda bluntly said that Chow Xingchi now feels very different from before. "He has raised himself to a high level, and now no one dares to deny him, but I think he needs to be denied because he is a mortal. Everyone is wrong sometimes." Although Chow Xingchi has moved from Xingzai to Xingye, Wu Mengda said that he still calls him Xingzai. "A title doesn’t mean I don’t respect him. He calls me Uncle Da, Brother Da, and I am happy to call me Xiaoda."

　　Wu Mengda also said that no matter what the outside world thinks of Zhou Xingchi, the other party is undoubtedly full of talent. "Like’Journey to the West ‘, he just wants to make it look good and fun, and he doesn’t think about becoming a classic at all." Except for work, Wu Mengda has little contact with Zhou Xingchi, but he said that the two will definitely cooperate again. (Cheng Feng)

Editor in charge: Li Dan

　　Although the Huawei Mate 50 series is nearly 2 years later than expected, according to the rhythm of previous years, Huawei is likely to launch a new generation of P series flagship – Huawei P60 series in Quarter 1 next year. As the release time is approaching, the outside world’s revelations about the machine are also more encrypted. Now there is the latest news. After some appearance and configuration details, digital bloggers have further revealed the appearance of the machine, which is said to be a rendering graph.

　　According to the latest render graph released by a well-known digital blogger, it is basically the same as the previously exposed news. The new Huawei P60 series has changed a lot in appearance design, but it is largely full of the shadow of the previous work. The first is the back of the fuselage. Although the machine continues to use the rear camera module shape of the upper and lower parts, the shape has been changed from the previous "Vientiane Double Ring" to two rounded corner block designs. The upper half contains dual cameras, and the lower half is a lens and flash. On the front of the fuselage, the Huawei P60 adopts the very familiar pill digging scheme, but the position is shifted from the upper left corner to the top center.

　　In other respects, according to the previously exposed news, the new Huawei P60 series is expected to come standard with Qualcomm Snapdragon 8 Gen2 flagship processor, but still only supports 4G network, not 5G. As for other performance parameters, it is not much different from the 5G version of the chip. It is also based on TSMC’s 4nm process. It adopts the new "1 + 2 + 2 + 3" eight-core architecture design. Its Antu running score is expected to break through 1.20 million points, which will bring more powerful performance. In addition, the main camera may use an ultra-large bottom sensor, while the ultra-telephoto may be 64 million pixels. It is also likely to continue to be equipped with the variable aperture launched on the Mate 50 and the Huawei XMAGE self-developed imaging platform. The image performance will be very worth looking forward to.

　　It is reported that the new Huawei P60 series is expected to be available to you in March-April next year. We will wait and see for more details.

Wang Zuxian (left) signed a contract with Xu Feng, but later cancelled the contract and retired from the film industry.

　　People’s Daily Online Entertainment News, comprehensive Hong Kong media reports, actress Wang Zuxian has become a monk in Canada in early June, and the news was relayed to Taiwan by Canadian relatives and friends. However, whether Wang Zuxian has really become a monk still needs to be further verified.

　　Wang Zuxian has talked with Qi Qin about on-again and off-again love for more than a decade, and also intervened in the marriage of wealthy businessperson Lin Jianyue, but the two relationships have ultimately failed to come to fruition. In recent years, Wang Zuxian has faded from the entertainment industry and lived in seclusion in Vancouver, Canada. Qi Qin, an old love, revealed last year that he had not seen Wang Zuxian for four or five years, but the two sides still maintained phone contact. Wang Zuxian believes in Buddhism and rarely talks about the current situation.

　　"She hasn’t been back to Taiwan for a few years. I didn’t know anything about the current situation. I only found out about her ordination after watching TV," said Wang Zuxian, the eldest brother. Is ordination related to feelings? The eldest brother said: "Don’t ask about it." Wang’s father is a basketball master. His mobile phone was not turned on last night.

　　Yang Fan, the director who worked with Wang Zuxian on "A Dream in the Garden", has not contacted Wang Zuxian for a long time, but he said that the outside world should not be too surprised, and it is not necessary to use worldly ideas to measure, which is to respect her.

　　Wang Zuxian had signed a contract with Xu Feng’s company, but later terminated the contract and withdrew from the film industry. Xu Feng’s company executives were quite surprised to hear the rumors of becoming a monk, but they said that they had not heard from her for nearly a year, making it difficult to determine whether the matter of becoming a monk was true or false.

　　Wang Zuxian has collaborated with director Xu Ke on many films of "A Thousand Women’s Ghost". Xu Ke’s wife, Shi Nansheng, said yesterday that she had not heard of Wang Zuxian’s ordination, and had not contacted him since "The Invincible East 3". Recently, so many people have left, and they have to be calm when they hear anything. People should learn to live well. If the ordination is true, it is also her choice and respect it.

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