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Since the media released the interactive video of Yang Zi and Liu Xueyi, Yang Zi was pushed into a rather embarrassing situation, and in the days that followed, she has been constantly exposed to "black history" and constantly made embarrassing things.

Especially after the "Hu Spicy Soup Incident" became a hot topic again, Zhang Xueying’s fans posted a series of clarification posts, which directly reversed the situation of the whole incident, and also caused Yang Zi’s image to be greatly negatively affected. Some netizens even began to jokingly call her a "liar" and questioned her character.

Now, let’s test everyone’s understanding of the "Hu Spicy Soup Incident".

First of all, have you heard that Zhang Xueying and Qin Junjie used the same spoon?

Secondly, have you ever seen reports that Zhang Xueying asked Qin Junjie to help her wipe her feet, and that the two were intimate outside the play?

Finally, do you have any memories of "Yang Zi helped Zhang Xueying clarify it at the first time, and then Zhang Xueying turned around and liked the ambiguous video of himself and Qin Junjie"?

If you answered "yes" to all three of these questions, then what follows may confuse you, and you may begin to wonder if your memory has been tampered with.

In fact, for the first time in the past four years, many people have seen screenshots of Zhang Xueying and Qin Junjie drinking Hu spicy soup together. It turned out that they did not use the same spoon together, but only took a sip and were called away by the director to continue filming. Later, when the two returned to the table again, Zhang Xueying couldn’t find her own spoon, so she picked up the bowl and took a sip. Therefore, Zhang Xueying and Qin Junjie did not use the same spoon together. You and I shared a bowl of Hu spicy soup one by one.

In response to the rumor that Zhang Xueying asked Qin Junjie to wipe his feet and the two were intimate outside the play, Zhang Xueying’s fans also provided relevant screenshots to clarify. First of all, there is no plot of wiping feet at all. In fact, Zhang Xueying needs to be barefoot in the play, and the shoes are always in Qin Junjie’s hands. Secondly, the so-called intimacy is actually in the filming work, which is a professional demand, not a private intimacy.

If the boundary between them is blurred, it is true, but it is too harsh to accuse Zhang Xueying of interfering in the relationship between Yang Zi and Qin Junjie.

Some people may ask, since Yang Zi also helped Zhang Xueying clarify the incident, why has it become the target of public criticism now?

This question is very simple, because netizens found that in the "Hu Spicy Soup Incident", Yang Zi has actually been the leader. Looking back at the events, the following key points can be found:

In November 2017, Yang Zi mentioned in a variety show that he dreamed of Qin Junjie developing a relationship with the same group of actresses, and emphasized the plot of the wedding scene, and Qin Junjie’s only wedding scene was with Zhang Xueying. This can be seen as Yang Zi’s first active intervention.

In May 2018, when the collaboration between Qin Junjie and Zhang Xueying began to air, Yang Zi intervened again in her reply to netizens and announced late at night that she would not break up. This is her second initiative. It is worth mentioning that similar behavior has led to widespread condemnation of actor Dou Xiao’s girlfriend, He Chaolian.

In July and August 2018, Yang Zi deleted her Weibo twice, which was her third initiative. At this time, rumors about Qin Junjie’s suspected affair with Zhang Xueying also began to spread.

On August 12, 2018, the Hu Spicy Soup incident became a hot topic. Zhang Xueying issued a clarification statement for the first time, and Yang Zi and Qin Junjie also officially announced their breakup.

However, after reviewing the "Hu Spicy Soup Incident" recently, netizens suddenly discovered a key turning point: Yang Zi did not reply to Zhang Xueying’s studio to clarify immediately, but waited for a full 9 hours, almost just when public opinion was about to subside. It is worth noting that during this time, her account was launched a full 57 times.

In the Internet age, there is a saying that is widely circulated: "It is easy to spread rumors, but difficult to refute them." Nine hours is enough for rumors to spread for several laps, and multiple versions are derived, such as "Yang Zi helped Zhang Xueying clarify it at the first time, and then Zhang Xueying turned his head and praised it."

This version of the ambiguous video "between himself and Qin Junjie has lasted for a full four years, and it was only recently that the truth was revealed.

In fact, Yang Zi did not clarify the incident immediately, and what Zhang Xueying liked was not the ambiguous video of herself and Qin Junjie, but the clarification statement about her affair with Qin Junjie.

After the Hu Spicy Soup incident was reversed, Zhang Xueying won the support and sympathy of many netizens, but unfortunately, although the nail was pulled out, the traces left behind would not disappear easily. Now, the only way out is to wish her to work hard to improve her acting skills, to shoot high-level works in the future, and to prove herself with strength.

As for Yang Zi, netizens continue to dig into her history of "misses" and likes over the years, as well as her lack of sense of boundaries with her fellow actors. We don’t know how much these events will affect her personal image.

Finally, I would like to remind all celebrities to keep in mind the principle of "cautious words and deeds" and be a kind person. Nowadays, netizens have very strong investigative skills. If there is a problem, they can easily strip your private life without leaving any privacy fig leaf.

To sum up, this incident tells us that in the entertainment industry, image maintenance is of paramount importance, and careless behavior can cause serious damage to a star’s career. I hope Yang Zi can not become the next "Zhang Xueying", and remind all stars to be careful with their words and deeds, so as not to become the "next target of bombardment" in the words of netizens. Finally, it is emphasized again that unauthorized reprinting is strictly prohibited, otherwise legal responsibility will be pursued.

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　　A few days ago, BYD officially released its medium and large cars — — The official map of the EV/DM model of Han adopts a four-door coupe body design as a whole, and its drag coefficient is only 0.233Cd. It is understood that the wind drag coefficients officially announced by Geely Geometry A, Xpeng Motors P7, Guangzhou Automobile New Energy Aion S, Volkswagen ID. Spacedimension Concept Car and SSC Tuatara are 0.2375Cd, 0.236Cd, 0.245Cd, 0.24Cd and 0.279Cd respectively. At the same time, according to previous information, the car may be listed at the end of the second quarter/early third quarter (around June) in 2020.

　　According to the official map released this time, the new car continues the family-style design language of BYD Dragon Face as a whole, and the combination of the heavily depressed front and the slightly raised three-dimensional lines on the hood creates a feeling of diving. At the same time, the flat and narrow light group with the lower three-stage air inlet and the slightly shovel-shaped front lip makes the new car look more dynamic and atmospheric.

　　According to the official release, we can see that the reddish color in the picture is the Han EV model; Xuan cyan is a Han DM model. It is worth mentioning that BYD Han EV version has upgraded and evolved the family Dragon Face language in front face design, further improving its overall recognition and vehicle drag coefficient.

"Previously released preview map"

　　In terms of side modeling, it uses a smooth arc to outline the slip-back body modeling, and the waistline with a strong sense extends from the back door to the rear of the car in an upward posture, making the whole side look like a sense of sight that is ready to go. At the same time, starting from the C-pillar of the car, the upper part of the car cabin is gradually narrowed, forming a beautiful and powerful wide shoulder shape. With the design of hidden door handles, the airflow direction that fits the car body is strengthened, the eddy current on the side of the car is effectively reduced, the wind resistance is further reduced, and the wind resistance coefficient is optimized.

"Previously released preview map"

　　According to the official, the car that pursues low wind resistance pays attention to the design concept of "round front and rear". The more round the front section of the car, the faster it can fit the car body when the wind hits the car at the beginning, while the more square the rear section, the faster the wind can leave the car body at the rear. It is worth mentioning that the car is also equipped with a "pneumatic" wheel rim independently developed by BYD, and its hollow ratio is about 8%. This design can reduce the drag coefficient to a lower level while ensuring the heat dissipation of the brakes.

　　In 2015, BYD released some parameters of the car under study (see the above picture). It can be seen that the length, width and height of the car are 4950/1890/1490mm and the wheelbase is 2940 mm. In terms of power, the front-wheel drive model is equipped with a plug-in hybrid system consisting of a 2.0T engine and a 150 HP front-axle motor, while the three-engine four-wheel drive model will also add a rear-axle motor with a maximum power of 476 HP. For more information about the new car, we will continue to pay attention. (Author: Zhouyi)

Recently, the "Made in Chongqing" medium and large SUV, which has received much attention, has asked for a new M7, and its monthly order has exceeded 60,000 units. On October 24th, Sailis Auto Smart Factory ushered in an open day to explore the whole process of the birth of high-selling cars.

Sailisi automobile wisdom factory. Photo courtesy of Cyrus

Sailisi Automobile Smart Factory is located in Shapingba District. Construction started in 2020, with a total investment of about 4 billion yuan. As a smart factory built according to "Made in China 2025" and Internet of Things standards, it has an intelligent collaborative system "digital brain", which includes four major processes of vehicle manufacturing and some parts production areas, and has the characteristics of intelligence, digitalization and flexibility, and can be used to produce high-end intelligent networked cars.

Sailisi Automobile Smart Factory, as the production place of the new M7, has the whole process workshop of stamping, welding, painting and final assembly. Into the factory, highly automated production lines, robots and workers work together, and every detail shows the technology and rigor of intelligent manufacturing. It is also from here that the whole process of vehicle production is completed and delivered to consumers with high quality.

Workshop site. Photo courtesy of Cyrus

According to reports, among the four major process workshops, the stamping workshop adopts the world’s advanced automatic production line, and the welding workshop is equipped with 344 robots, realizing 100% automatic welding and gluing. The painting workshop adopts the world’s leading environmental protection materials and automatic spraying technology to ensure the high quality and efficient spraying of the car body. The assembly workshop integrates a variety of advanced technologies, from the interior to the chassis, and then to the final assembly, which has achieved efficient and high-precision production.

Workshop site. Photo courtesy of Cyrus

In terms of quality control management, Sailis Auto Smart Factory has adopted a strict inspection system and adhered to the principle of "one car and one physical examination" to realize 100% automatic inspection of each component, "one in and one out" and full-time full-scale inspection. As a local new energy automobile enterprise in Chongqing, Sailis Automobile Smart Factory has also adopted a variety of energy-saving and environmental protection measures, renewable resources and recycling technologies to achieve zero emission and pollution, and ensure that it can truly meet the environmental protection process standards.

The relevant person in charge of Celeste Automobile Smart Factory said: "As the latest masterpiece of Celeste Automobile Smart Factory, Wenjie New M7 has not only achieved new heights in intelligence and environmental protection, but also achieved a comprehensive upgrade in quality control. From the four major process workshops to quality control management, the factory will ensure the delivery ability of’ high quality and high quantity’ in all aspects. " (Yu Mei)

1905 movie network news The film directed by, starring, and starring is being shown. The national roadshow of "Hot Search" and "Sound All the Way" came to Shenzhen, where director Xin Yukun and actor Song Yang exchanged views with the audience after the screening. At the event site, some spectators enthusiastically launched a "Cantonese class", and Song Yang’s subwoofer version of Cantonese once ignited the atmosphere.

After watching the movie, some viewers engaged in the media industry felt deeply, saying that they were deeply moved by Chen Miao’s initial news, and frankly said, "I am also engaged in the news industry, and I have a great sense of substitution for movies, and I burst into tears when I reversed." Director Xin Yukun shared that it is the journalist’s sense of responsibility and mission that drives Chen Miao forward. "I hope that after watching the movie, everyone can return to life and online public opinion and pass this power on.". Song Yang also said, "I hope this film will bring warmth and strength to the audience. When we speak for the victims rationally, we are the flame led by Chen Miao".

The situation of women resonates. "The blood pressure in front is soaring, and the gas can be seen in the back."

The mother felt the same way and bluntly said, "We need more Chen Miao."

In the film, director Xin Yukun depicts rich and vivid female group images from a delicate perspective. Some viewers felt that "the situation of women in the movie is too realistic. In the first half, the blood pressure soared, and later it was very deflated", which praised the ending of the movie. Director Xin Yukun said, "The reality is very cruel. We can usually see many women’s plight, and at the same time we can also see generate, a woman with strength. I hope to bring this strength to everyone.".

There was also a mother audience at the scene, who was poked by Zhang Xiaosui’s mother in the movie because of the helplessness of reality. "As parents, we should protect our children more consciously. Reality and network are complicated, and we need more people like Chen Miao." Shi Rui, who plays Hu Qiao, also shared the mental journey of the role. She left the Justice Team precisely because she stood in the female perspective and understood more about the helplessness and powerlessness of Xiaomou’s mother. Compared with justice, the child’s life is the deepest concern of a mother.

Children are full of emotion: when they grow up, they must not be "keyboard man"

The truth of public opinion is a wake-up call, "We must speak rationally in the future."

The sharp presentation of the film to the real online public opinion has also made many viewers think deeply. After watching the movie, some viewers said, "It used to be easy to be rhythmic. After watching the movie, I always told myself to be based on reality, and I must speak rationally. I hope all the truth can be revealed and the bad guys can be severely punished." Director Xin Yukun said, "I want to convey the power of women, truth and partners through this film, and I hope everyone will still have confidence in the world after watching it.".

A second-grade child said excitedly after watching the movie, "I must not be a keyboard man when I grow up!" " Children’s words detonated the scene, and the main creators praised him one after another, encouraging children to "study hard and join the justice team in the future." Xin Yukun, the director, said, "I hope everyone can feel the power we convey, and let the powerless be strong and the pessimists move forward.".

The film "Hot Search" is showing.

Special feature of 1905 film network "Please tell the director that the task of the third brigade has been completed!"With the movie showing all the way, the box office exceeded 470 million. The drama version of the same name was also launched while it was hot, creating a "new speed" of "film and drama linkage".

Two powerful actors, Harmony, performed the same role with different tastes, and the similarities and differences between the drama version and the film version also triggered extensive discussions among the audience.

At the same time, it is another attempt to adapt a hot drama into a film.The film version assembled the original crew of the series, and broke through 300 million with super-high pre-sales, setting a number of records.

In addition, Blossoms Shanghai, which is on the line today, is developing simultaneously with movies and dramas, and there is still a movie version to be shown. From "the drama is excellent, the movie will be reflected" to "synchronous development", what new tricks have been played by the film and drama linkage?

PART.1

It is not easy to "play well and make a shadow"

"Zhang Wansen, it’s snowing!" The series "Twinkle, Twinkle, Twinkle, Bright Stars" starring became the dark horse in 2022 because of the setting of "secretly love the ceiling", which also made this classic line spread all over the network.

Now, after two years, the movie version has landed on the big screen, and once it was officially announced, it gained a super high popularity. Whether it is the return of the original crew, the setting of making up for the regret of "Wanxing CP" or the ritual marketing of "going down to the snow field", the audience’s expectations are full.

Breaking through the pre-sale results of 300 million, the two major ticketing platforms are close to 2.5 million people who want to see it, which also makes "Twinkle, Twinkle, Bright Stars" another phenomenal case of "drama change".

It is the routine operation of the film and television market to adapt the film version after the drama is popular. The popularity of drama series has accumulated a natural popularity and fan base for the film, which not only greatly reduces the investment risk, but also further improves the IP value through the linkage of film and drama.

The recent Seeing You, Searching for Qin, treading on thin ice and Palace in the early years are all classic cases.

However, it is not easy to change from drama series to movies and from small screen to big screen. Although there are many successful cases at the box office, word of mouth is mostly difficult to surpass drama series. It seems to be a law that it is difficult to produce fine works by changing the drama into a shadow.

The problems mainly lie in the following aspects: firstly, whether the main creative team is unified plays a key role in whether the shadow version can continue the texture and quality of the drama version.

Due to the replacement of the main creative team, the quality is not as good as expected, which leads to word of mouth Waterloo. Although the film version of "Hua Qiangu" has not yet been released, it has also caused great controversy due to the casting problem, which has cast a "shadow" on the future of the film.

Secondly, there are obvious differences in content volume, creative logic and audience groups between film and drama series, and it is difficult to break through the "barriers".

Even the original cast is often "unaccustomed" and it is difficult to reproduce the classics of the series. Take "I Want to See You" as an example. Although the film version continues the same cast and lineup, it still fails to satisfy the fans because of the lack of narrative and staffing.

Third, feelings are a double-edged sword. Fans’ attention is both heat and pressure. If they are not careful, their word of mouth will bite back. At the same time, it is also a problem how to create a balance between drama powder and passers-by audience without setting too high a threshold for watching movies.

The big movie ipartment was criticized for "selling dog meat by hanging sheep’s head", which turned the national sentiment into a "tomb-robbing apartment" with a score of only 3.2. After the first weekend, the box office also fell off a cliff.

Although the film version of Love is Delicious continues the story and style of the drama version, many viewers reported that they watched an "extended TV series" and had a certain threshold for watching non-drama powder, so they failed to get out of the circle, and finally only 14.55 million yuan was recorded.

The above examples are enough to show that it is not easy to "break the wall" from the drama series to the movie, and people can’t help but worry about the upcoming "Twinkle, twinkle, bright stars".

PART.2

"Film and drama are open together" has become the new mainstream.

Different from the movie version launched after the series fire, more and more producers or copyright owners choose to put this process ahead, and determine the development mode of "one fish eats more" from the beginning, and the movie version and the drama version are promoted at the same time to form a set of "combination boxing".

The Three Battalions is a typical example. There are Wanda movies behind the film version and the drama version, and the time lines of preparation, starting, fixing and broadcasting are almost synchronous, which truly realizes the zero-time linkage of film and drama.

Yin Xiangjin, the chief producer, once explained the original intention and significance of "simultaneous development of film and drama". "A good story needs to be perceived by more audiences, and two different artistic expressions also have their own emphasis on content. Based on the advantages of long narrative of the drama, TV dramas can better explain the story, show the development of the relationship between the characters more delicately and shape the three-dimensional group image more comprehensively."

At present, the film version and the drama version of "The Three Battalions" do show this difference in creation, and also play a role in mutual drainage to a certain extent, but on the other hand, the "face-to-face" between the film version and the drama version has also triggered a concentrated comparison and discussion among the audience, which has brought great controversy and pressure to the early stage of the drama version.

Not only "Three Battalions", but also "Under Different Men", "Trident" and other projects have chosen a similar model. Tencent participated in the production of both the film version and the drama version of "Under the Alien". The drama version was directed by and won a good reputation after the broadcast, while the film version was directed by and will also meet the audience.

"Trident" also from the beginning of development, it has set a plan for the linkage between film and drama. Ma Ke, the producer and producer, once told the media that the success of the drama version has greatly promoted and publicized the film, so that the audience has a good expectation of watching the film and expects the film to gain good results through linkage operation.

The mode of "simultaneous opening of movies and dramas" is also very extensive in the linkage between online dramas and online movies. As early as the first season of "The Husband-in-law" was finished, the initial planning of the related derivative film "The Husband-in-law’s Good fortune is high" had already started, and it was chosen to be released between the first season and the second season, which well continued the popularity of IP.

During the same period of preparation for filming "The Wind in Luoyang", many IP-linked online movies, such as "The Yin and Yang Boundaries of the Wind in Luoyang" and "The Twin Chasers of the Wind in Luoyang", are also being developed simultaneously.

From the above examples, it is not difficult to see that the advantage of co-opening movies and dramas is that the production is convenient for unified control and coordination of the content, quality and broadcasting rhythm of the movie version and the drama version, and it is also a sign that the IP development of movies and TVs is more industrialized and systematic.

On the other hand, the "simultaneous production of movies and dramas" undoubtedly means higher costs and risks, and it is necessary to have enough confidence in IP and the cast. It is also worth thinking about how the film version and the drama version really play different cards, feed back each other’s enthusiasm and avoid "left and right fighting".

From drama series to movies, whether it is re-enactment, adaptation, derivation or continuation, we look forward to more gameplay of "movie-drama linkage" to maximize the value of IP.

　　[concern]

　　From the party program represented by super variety show to the game program represented by Happy Camp; From the educational programs represented by Happy Dictionary to the talent show represented by super girls, China’s TV variety shows have come all the way, and now the reality show is in the absolute majority. In recent years, all kinds of reality shows have appeared in turn, making the audience dazzled by the trend of "dominating the screen". Generally speaking, a reality show refers to a TV program made by ordinary people (non-actors) in a specified situation, in accordance with the predetermined rules of the game, for a clear purpose, and at the same time recorded. Its charm lies in the use of virtual procedures and documentary techniques to show the personality traits or technical talents of participants in a real situation. In the new communication pattern, the competitive pressure inside and outside the industry makes the reality show seek a breakthrough through introducing mode or independent innovation, on the other hand, it also exposes the deviation of some production concept and the emptiness of value core in the process.

　　What is the priority between documentary and drama?

　　In terms of expression, reality show should take objective truth as the first sign. However, in the face of the massive information, rich audio-visual content and high-frequency mobile audience’s reception habits in the Internet ecology, many reality show creators choose to deliberately implant various dramatic bridges in the program to achieve the purpose of attracting attention for a long time. As a result, the reality show with reality as its life is more and more like a film and television drama with fiction as its core, with distinct interpretations of various "roles" and a "plot" structure full of dramatic contradictions and conflict tension, and even at the end of each issue, it shows the suspense and continuity of "If you want to know what will happen next time, listen to the next decomposition". No matter the fierce confrontation caused by "small tasks" and "chasing battles" in Running Man, or the comedy effect brought by participants experiencing different careers in "The Ultimate Challenge"; No matter the contrast of character in the team travel of "Flower Boys" or the strong affection in the intergenerational interaction of "A Whirlwind du tiful son", it is the application of typical dramatic techniques and the implication of dramatic strategies. And "Creative Reality Game Show", "Full Staff Acceleration" and "Historical Experience Reality Show" and "Let’s Go Through" employ professional directors and screenwriters to elaborate "stories".The program flow is integrated into multiple time and space such as history, plot, science fiction and games, and the content and form are similar to those of film and television dramas.

　　This dramatic treatment from the inside out does enhance the appreciation and communication of the program, but for the reality show, is such deliberate subjective intervention somewhat presumptuous or putting the cart before the horse, and will it blur its essential attributes and consume its development potential in the long run? Reality shows do not exclude drama, but we should be alert to the "artificial" drama. High-quality reality shows should subtly hide the dramatic effect in objective documentary images, instead of piling up heavy drama paradigms and situations in advance when planning programs. For example, the most typical narrative mode at present is to assign tasks to each participant or each group in the form of "task cards", in which the links are set for the purpose of causing fierce confrontation, and the turning point strives to achieve the effect of "last-minute rescue". It is true that the aesthetic confluence with film and television dramas may temporarily improve the ratings of reality shows by u sing elements, paragraphs and clues similar to "characters" and "plots", but in the long run, it is likely to overdraw its unique aesthetic personality and eventually make it difficult to become "this one" in the TV variety gallery independently.

　　How to play the "star" card well

　　Nowadays, a large number of reality shows are closely linked with "stars". Due to the lure of sky-high remuneration and ultra-high exposure, many out-of-date actors and popular stars flock to the production of reality shows. Not only do they get another hit during the broadcast of the show, but even their families become popular overnight and their prices soar. It can be said that some reality shows are no longer dream platforms and interactive spaces for ordinary people, but have evolved into vanity fairs that create all kinds of entertainment gossip and lure stars to compete.

　　In July 2015 and March 2016, the State Administration of Press, Publication, Radio, Film and Television successively issued the Notice on Strengthening the Management of Reality Show Programs and the Notice on Further Strengthening th e Management of TV Satellite Integrated Channels, demanding that reality show programs "should be abandoned ‘ Watch by star blog ’ Misunderstanding, correct the tendency of relying solely on stars, and not turn the program into a place to fight for stars and show off wealth. ""Strictly control minors’ participation in reality shows, and they are not allowed to publicize and speculate on star children in entertainment reports and other programs. " This has largely curbed the previo us excessive star-studded momentum of such programs. However, the recent reality show has added stars with some whimsy, such as Come Champion, which brings together sports stars, The King of Cross-border Songs, which makes movie stars cross-sing, and Familiar Taste focuses on the growth experience of stars in the name of "food love". In addition, there are also some phenomena that hide people’s eyes and ears in the name of the program. For example, the original "Flower Boys" was renamed as "Flower Boys", and the second season of "Idol Comes" was renamed as "Here We Come". At first glance, it seems to weaken the star effect, but the content is changed, even worse than before.

　　Indeed, "star" is a part of popular culture, and healthy "idolize" is also a normal social phenomenon. As a TV program type covering the whole society, reality show obviously can’t shield the "star" element, but its creators should be cautious in this issue: First, they should not rely too much on stars as the whole point of view of the program, nor should they spend a lot of money to invite so-called "big names" and "big coffees" to encourage the extravagant comparison of program production; Second, we should not limit our vision to performing stars. There are many people from all walks of life who are famous for their honest work. If the star ind ividuals with more diverse identities can be integrated with the program content, it may better highlight the inspirational spirit and the truth, goodness and beauty of human nature. Third, we should devote ourselves to building civilian stars, provide a stage for the millions of ordinary people in Qian Qian to display their talents, and upgrade the quality level with humanistic feelings. After the programs such as The Voice of China, Music Master Class and the legendary swordsman used the mode of "star tutor+common people students", I want to sing with you made some innovative explorations on the interaction between stars and ordinary people. The most touching thing is that ordinar y people uploaded videos that sang with star singers in the same frame through the mobile Internet APP, and the happy scene of "singing by the whole people" in the program had a strong sense of closeness, substitution and resonance for the audience.In a word, the star in the reality show is "use" rather than "body", "technique" rather than "Tao", so we must not give up the basics.

　　How to pay attention to nutrition in entertainment

　　Obviously, the reality show can’t survive without entertainment, but if it stops at entertainment or even "entertainment to death", it will be empty and shallow, and it will inevitably lead to quick birth and quick death. For a TV program, it is really difficult to make the audience really feel "interesting"; It is even more difficult for the audience to realize "meaning" on the basis of feeling "interesting". This requires the responsibility and innovative wisdom of TV people.

　　There are several programs on the screen recently — — CCTV’s Chinese Poetry Conference, Beijing Satellite TV’s Inheritor, and Shanxi Satellite TV’s Wang Zhongwang the Linger are worthy of attention. These programs with the characteristics of typical reality shows may not be as good as some of the cases mentioned above in ratings, and there is still room for improvement in content production and process design, but they have two precious things in common: first, the spiritual core of the programs lies in spreading the essence of national culture, whether poetry, drama or intangible cultural heritage, they are carried forward through the "show" of "real people" competitions; Secondly, although there are stars in several programs, they focus on the cultural accomplishment and artistic quality of stars in many fields. As far as the stars themselves are concerned, they are in a subordinate and auxiliary position, completely serving the meaningful production of the programs.

　　Of course, the "nutrients" and "energy" of reality show are not limited to the traditional cultural dimension, and all the value orientations that inspire and guide people to be upward, kind and beautiful can be taken as the theme connotation of the program. The key is to explore the feasible path of seamless connection between spirit ual cultivation and audio-visual pleasure, that is, the ingenious creativity of entertaining, reasoning and touching the scene. For example, travel reality shows combine the display of exotic customs with the tempering of interpersonal communication; Experience reality show brings life enlightenment through dramatic identity transposition; Competitive reality shows show the courage to challenge and team spirit when showing superb skills; Song and dance reality shows bring audience audio-visual aesthetic enjoyment in tense events. All these show the ingenuity of the main creation and shi ne with the humanistic light of the program. In today’s internet communication environment, the content is varied and the quality is uneven. Some network variety shows do not hesitate to break through the moral bottom line or even the legal b oundary in order to earn eyeballs. At this time, the TV reality show can not only be influenced by it, but also lower the lower quality limit, and guide the viewing taste with sincere and nutritious creativity and production, and optimize the communication ecology.

　　(The author is editor of China Television Arts Committee)

On November 4th, the Shenzhen team will face the final match with Beijing Guoan at home. Today, the coach team leader Xiang Jun and player Hu Jiajin attended the pre-match press conference and introduced the team’s preparations.

Talk about preparing for war

I’m glad to be back at home. No matter what the team’s achievements are now, it’s very exciting to finish the last game of this year with the support of the home fans, and the team will go all out to dedicate a wonderful game to the fans.

Tomorrow is the 14th game you coached this season. The results of the first 13 games were 1 draw and 12 losses. Will it be a pity that you didn’t win the next game?

As a coach or any player, every game is prepared with the goal of winning. There may be some other objective reasons for not winning, and the result itself is regrettable, but we all go all out to prepare and hope to achieve the desired goal as much as possible.

During the preparation for this game, did you tell the players how to say goodbye to the fans after the last game of this year, and was there any special ceremony?

For the interaction between players and fans after the game, I think it should be more impromptu or temporary. We can’t do rehearsals outside of football tactics, and our attention is still focused on the game itself.

Hu Jiajin spoke.

Although the team has been relegated, tomorrow is the last Super League game of the season, and there will still be many fans supporting us. We will definitely try our best to win this game and give the fans an explanation.

Winter goes and spring comes, pineapple is sweet, and it is the annual pineapple season. On February 29th, the mining ceremony of Baiguoyuan Company’s signature Huahuang Golden Pineapple was successfully held in Chengmai County, Hainan Province. After three years of marketing promotion, Huahuang Jinfeng pear has gained certain market recognition. At the mining ceremony, the host introduced the cultivation process and fruit highlights of this pineapple, and invited the guests present to taste it together. The follow-up Huahuang Golden Pineapple will soon be put on the shelves in Baiguoyuan.

　　Walk into Zhejiang Traditional Chinese Medicine Hospital and Hangzhou Traditional Chinese Medicine Hospital together.

　　Look at the young people having a "party" in the massage clinic

　　What kind of experience is it!

　　Young people get together and massage ke

　　Talking too much is all about "pain, pain"

　　Around 18 o’clock, the massage clinic of Zhejiang Provincial Hospital of Traditional Chinese Medicine was almost full, many of them were young faces, and there were young people who had just left work outside. Dr. Ning Xitao said that during the peak period, doctors in departments have to receive more than 30 patients in one night clinic.

　　At this time, the massage doctors in Hangzhou Chinese Medicine Hospital are also busy. "The people who come at night are basically young people." Just after that, Dr. Qiu Zhengjun hung up the traction for the patient and called the next one to lie on the massage bed.

　　Why are there so many young people? Many reasons are "pain".

　　Ms. Wang, who is doing massage, is 25 years old. Her unit is near the hospital and she will come as soon as she gets off work. Recently, her shoulder and neck hurts badly. She comes to Dr. Qiu for massage and physical therapy every week: "I feel light after pushing for half an hour." She and her colleagues who are engaged in the financial industry are also "frequent visitors" to the Tuina Department. Sometimes they will make an appointment to "open a party" during their lunch break. "Just think of it as a group building."

　　The biggest affirmation is the trust of peers. Doctors from the maternity hospital next door to Zhejiang Provincial Hospital of Traditional Chinese Medicine also came to massage during dinner. After a massage for more than ten minutes, he exhaled a "cool"! "There are still several lumbar problems in our department." With that, he put on his shoes and went back to work at night.

　　After the "90s", Ms. Huang is a white-collar worker in the company and an "old patient" in the massage department. She comes from work almost every other day, and she also notices that more and more young people come here. "Everyone is here for treatment, not simply for relaxation."

　　Doctor’s reminder: treat it rationally

　　Massage is not recommended if you have nothing to do.

　　The young office workers who come to receive massage treatment at night have a lot of bad cervical vertebrae, and their age is basically between 20 and 40 years old, which shows an obvious trend of rejuvenation.

　　Dr. Qiu from the Municipal Hospital of Traditional Chinese Medicine explained: "Nowadays, young people are facing mobile phones and computers every day. With incorrect posture and no time to exercise, cervical and lumbar problems are getting younger and younger." He said that massage only helps to relieve the pain, and it is important to rely on young people to move themselves.

　　Dr. Ning from Provincial Hospital of Traditional Chinese Medicine said that many young people only know that hospitals can also do massage after watching the sharing on social platforms.

　　He said: "Three points depend on the rule, seven points depend on the support, mainly relying on their own to get rid of bad habits, and it is not recommended that young people come to massage when they have nothing to do."

　　It is worth mentioning that both Zhejiang Provincial Hospital of Traditional Chinese Medicine and Hangzhou Hospital of Traditional Chinese Medicine have massage clinics for children. At night, the clinic is full of children and parents. Different from adult massage which specializes in cervical vertebra and lumbar vertebra, children’s common medical problems can be solved in children’s massage clinic.

　　Text: Jia Kai Photography: Yang Zijian, Jia Kai

catalogs:115814; contentid:12173835; publishdate:2023-12-25; Author: Ji Shuang; file:1703473784659-bd14b9a6-a2bf-4299-be83-db19cbc6baac; source:29; From: Hangzhou Daily; timestamp:2023-12-25
11:09:39;

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